Last edited by Dozuru
Saturday, July 18, 2020 | History

3 edition of Russian modernism found in the catalog.

Russian modernism

the collections of the Getty Research Institute for the History of Art and the Humanities, I

  • 51 Want to read
  • 28 Currently reading

Published by Getty Research Institute for the History of Art and the Humanities in Santa Monica, CA .
Written in English

    Places:
  • Russia,
  • Soviet Union
    • Subjects:
    • Modernism (Aesthetics) -- Bibliography.,
    • Russia -- Civilization -- 1801-1917 -- Bibliography.,
    • Soviet Union -- Civilization -- Bibliography.

    • Edition Notes

      Includes bibliographical references and index.

      Statementintroduction by Jean-Louis Cohen ; compiled and annotated by David Woodruff and Ljiljana Grubisic.
      SeriesBibliographies & dossiers
      ContributionsCohen, Jean-Louis., Woodruff, David, 1940-, Grubisic, Ljiljana.
      Classifications
      LC ClassificationsZ2508 .R87 1997, DK260 .R87 1997
      The Physical Object
      Pagination215 p. :
      Number of Pages215
      ID Numbers
      Open LibraryOL996240M
      ISBN 100892363851
      LC Control Number96034895

      Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is intended for an audience of scholars in comparative literary and cultural Read more.   "Russian Modernism" is dedicated to the radical modernist movements in Russian and German art during the early years of the 20th century. Their development was parallel and often intertwined. Artists such as Vasily Kandinsky or Alexej von Jawlensky are claimed by the Germans but remain Russian artists for the Russians.

      Find many great new & used options and get the best deals for Modernism and Revolution: Russian Literature in Transition by Victor Erlich (, Hardcover) at the best online prices at eBay! Free shipping for many products! A textual and theoretical analysis of key texts in Russian Memory and Literature, Renate Lachmann combines literary theory with textual analysis in a consideration of some of the major texts of Russian modernism. Reflecting on works by Pushkin, Dostoevsky, Gogol, Bely, Mandelstam, Akhmatova, Mayakovsky, Nabokov, and lesser-known Russian writers, .

      book to be the definitive work on the Russian icon, his gift to the Russian people in a time of iconoclasm, when an entire culture of shared spiritual values seemed under threat. 2 It was the fruit, not simply of decades of laborious scholarly research, but. Modernism and the Spiritual in Russian Art: New Perspectives. Nouvelle édition [en ligne]. Cambridge: Open Book Publishers, (généré le 05 avril ).


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Russian modernism Download PDF EPUB FB2

"Leonid Livak’s book accomplishes two important tasks: it maps the variegated and factionalized world of Russian modernism at home and abroad and, with the concept of 'communities of modernist culture,' it offers a compelling way to overcome the methodological impasse that has bedeviled modernist studies for : Leonid Livak.

This article examines the history of modernism in Russia. It contends that modernism in Russia is uniquely resistant to the binary oppositions according to which Russian cultural movements and their protagonists have commonly defined themselves.

The article explores the premise that Russian modernism was neither consistently international or outward-looking, nor did it look. Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is also intended for an audience of scholars in comparative literary and cultural studies, specialists in Russian and transnational modernism, and researchers engaged with European cultural historiography.

Jane Ashton Sharp won the Robert Motherwell Book Award, given yearly by the Dedalus Foundation for her book Russian Modernism between East and West: Natal'ia Goncharova and the Moscow Avant-Garde.

The award recognizes outstanding publications in the history and criticism of modernism in the arts, and comes with a cash by: 9. Russian Modernism Igra v adu (Devil; front cover), Alexei Kruchenykh (Russian, –), Velimir Khlebnikov (Russian, –), and Natalia Goncharova (Russian, –), The Getty Research Institute, B   The Institutions of Russian Modernism illuminates the key role of Symbolism as the earliest form of modernism in Russia.

Combining book history, periodical studies, and reception theory, Jonathan Stone examines the poetry and theory of Russian Symbolism within the framework of the institutions that organized, published, and disseminated the works to Russian. Book Overview This book explores the direct connections and collaborations of German and Russian artists and the affinities between both countries' artistic development.

Russian Modernism maps the Russian version of expressionism and puts it in the context of the history of 20th century art. The Institutions of Russian Modernism illuminates the key role of Symbolism as the earliest form of modernism in Russia, emerging seemingly ex nihilo at the end of the nineteenth century.

Combining book history, periodical studies, and reception theory, Jonathan Stone examines the poetry and theory of Russian Symbolism within the framework of the institutions Pages: The writing and teaching of Russian literary and cultural history has changed little since the s.

In Search of Russian Modernism challenges the basic premises of Russian modernist studies, removing the aura of certainty surrounding the analytical tools at our disposal and suggesting audacious alternatives to the conventional ways of thinking and speaking about Author: Leonid Livak. This book explores the unique way in which Russian culture constructs the notion of everyday life, or byt, and offers the first unified reading of Silver-age narrative which it repositions at the centre of Russian modernism.

Drawing on semiotics and theology, Stephen C. Hutchings argues that byt emerged from a dialogue between two traditions, one reflected in western. The book’s limited scope is an invitation to researchers in Russian and transnational modernism to contribute other stories/maps to the same historical atlas.

I believe the conceptual approach elaborated in this monograph facilitates transnational approaches in modernist studies. Modernism is both a philosophical movement and an art movement that, along with cultural trends and changes, arose from wide-scale and far-reaching transformations in Western society during the late 19th and early 20th centuries.

Among the factors that shaped modernism were the development of modern industrial societies and the rapid growth of cities, followed then by. item 3 Metamorphosis in Russian Modernism by P.I. Barta (English) Hardcover Book Free S - Metamorphosis in Russian Modernism by P.I. Barta (English) Hardcover Book Free S.

$ Free shipping. No ratings or reviews yet. Be the first. Victor Erlich, an eminent authority on modern Slavic culture, takes up this question in Modernism and Revolution, a masterful appraisal of Russian literature during its most turbulent years.

Probing the salient literary responses to the upheaval that changed the face of Russia, Erlich offers a new perspective on this period of artistic and.

In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian.

Under the broad banner of Russian modernism, the book includes such figures as Vrubel – an early practitioner of more radical approaches to painting – and Stelletsky, whose work the Russian avant-garde criticised for being too reliant on the formal characteristics of religious art.

– in Modernism and the Spiritual in Author: Louise Hardiman, Nicola Kozicharow. In Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist.

For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of Author: Louise Hardiman, Nicola Kozicharow.

Librarians, scholars of Russian history, art, and Slavic language, students of graphic design, and rare book dealers can use this extensive listing of Russian Modernist resources to learn more about many of the innovative, and often ephemeral, publications of this era. This book explores the direct connections and collaborations of German and Russian artists and the affinities between both countries&#; artistic development.

Russian Modernism maps the Russian version of expressionism and puts it in the context of the history of 20th century art. Russian Author: Konstantin Akinsha. At a time when many Russian social institutions looked to the past, modernist arts powerfully amplified a gamut of new ideas about individual and collective transformation.

Expanding upon prior studies that focus more specifically on literary manifestations of the movement, Reframing Russian Modernism features original research that ranges Author: Irina Shevelenko.

The Institutions of Russian Modernism illuminates the key role of Symbolism as the earliest form of modernism in Russia, emerging seemingly ex nihilo at the end of the nineteenth century. Combining book history, periodical studies, and reception theory, Jonathan Stone examines the poetry and theory of Russian Symbolism within the framework of the institutions that .Decadence and Modernism in European and Russian Literature and Culture: Aesthetics and Anxiety in the s rewrites the story of early modernist literature and culture by drawing out the tensions underlying its simultaneous engagement with Decadence and Symbolism, the unsustainable combination of this world and the a broadly framed literary and .Metamorphoses in Russian Modernism provides the first detailed account of metamorphosis as a Russian theme, structuring principle, and source of artistic identity.

Barta examines how the magical transformations depicted in the ancient classics and in the oral epic heritage resonate in Russian literature and film at the fin de siècle and the.